It was founded, edited and published by Alfred Stieglitz from 19031917, and includes 50 issues with three special supplements. General edgewear to fragile wrappers with loss to spine. Alfred Stieglitz’s seminal photography journal, Camera Work, is central to the history of photography as a whole and to the Logan Collection in particular. H., “The Land of Delusion” by Leonard Van Noppen, “Chinese Dolls and Modern Colorists” by Max Weber, and “What is Beauty?” by Joseph T. Caffin, “The Fourth Dimension from a Plastic Point of View” by Max Weber, “Thoughts-From a Note-Book” by William Sharp, “The Brain and the World” by Benjamin De Casseres, “Visions of the Nude” and “De Zayas” by S. Through his own dedicated photographic work over the course of a half century, the journals he edited and published (such as Camera Notes and Camera Work ), and the groundbreaking exhibitions he organized at his New York galleries. Goetz all by Frank Eugene.Ĭontaining articles entitled “The New Thought Which Is Old” by Charles H. Considered as a whole, the Stieglitz Collection reflects the enormous diversity of Alfred Stieglitz’s activities. S., Frau Ludwig von Hohlwein, Nude-A Child, “ Hortensia,” Nude-A Study, and Direktor F. Photogravures entitled (in the order they appear) H. CAMERA NOTES: In 1896, when New Yorks two leading amateur camera clubs merged to create the Camera Club of New York, Alfred Stieglitz saw the chance to. Caffin, Max Weber, William Sharp, Benjamin De Casseres, S. 31įIRST EDITION of issue number 31 of Camera Work complete with 14 original photogravures, all by Frank Eugene. Keiley in What is Beauty?, Camera Work No. Let each see and feel for himself and express himself as he sees and feels." -Joseph T. 1, Stieglitz, Alfred (editor) New York: Alfred Stieglitz, 1903-01 / 1917-06 Thumbnail View List View No. If there is that in nature that awakens a quick, throbbing response and an irresistible desire to give definite expression to the thrill of joy thus stirred, seek to express as nearly as possible as you feel, and see, and understand, and not in the terms and mannerisms of recognized classicism of established masters. The ideas of Photo-Secession, and the establishment of photography as a fine art, were promoted through Stieglitzs Camera Work, a quarterly photographic journal published from 1903 to 1917. This site profiles each photograph, offering images of the front and back of each work, installation views, and links to. The gift included 244 photographs as well as paintings, sculptures, u0003drawings, etchings, and prints. seek to evolve from your inner self your own dream. gave the Art Institute of Chicago a portion of Alfred Stieglitz’s vast art collection.
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